第一章 《天狗》：狂躁又科学的“身体”想象............................1《天狗》与《女神》的时代精神 ..................................................................1解剖室与人格的养成 ....................................................................................5狂躁而又科学的“身体” ..............................................................................7第二章 《雨巷》：古典的感伤，还是现代性的游荡？................14古代性视域里的分歧 ..................................................................................14新感觉派的共同感 ......................................................................................16两种“现代”观与现代性 ..........................................................................22波德莱尔的影响 .........................................................................................25现代性的欲望生产机制 ..............................................................................27第三章 《白螺壳》：卞之琳多思的“宿泪”...............................32写作背景 .....................................................................................................33“我”的“惊叹” .........................................................................................34“我”的感悟 ...............................................................................................35“白螺壳”的自嘲 .......................................................................................37目录 多思的“宿泪” ...........................................................................................38“智性”的维度 ...........................................................................................42第四章《古城》：“边城”荒野的孤独少年行..............................47何其芳的“《古城》” ....................................................................................47北平诗人的“古城” ....................................................................................51“古城”中的何其芳及其他 ........................................................................55第五章 穆旦《诗八首》细读...................................................60第一首 .........................................................................................................60第二首 .........................................................................................................62第三首 .........................................................................................................63第四首 .........................................................................................................66第五首 .........................................................................................................67第六首 .........................................................................................................69第七首 .........................................................................................................71第八首 .........................................................................................................72文本背后的文化关联 ..................................................................................74第六章 《射虎者及其家族》的“未完成性”.............................78版本流变 .....................................................................................................78基本内容与修改的焦点 ..............................................................................81力扬的“自然”叙事空间 ..........................................................................92试探“另一种写法” ..................................................................................100第七章 《和平的最强音》：从现实需求到历史普遍性..............106石方禹和红色诗歌的阐释问题 ................................................................106“和平”作为普遍的正义 ..........................................................................108定义普遍性：作为文化权力的“和平” ...................................................114小结 ...........................................................................................................118第八章 牛汉：为什么要《悼念一棵枫树》？........................119一首“透明”的诗？ ................................................................................119“这首诗”的结构与节奏 ..........................................................................120 目 录人的复活 ...................................................................................................124自然之死的生命意蕴 ................................................................................126第九章 《面朝大海，春暖花开》的温暖与绝望.......................133温暖的诗，还是绝望的诗？ ....................................................................133一个告别的仪式 .......................................................................................136告别中的希望和再生 ................................................................................141第十章 《乡村茶馆》的“现实”与词语建筑学.......................144“女性诗歌”的得与失 ..............................................................................144作为参照的《静安庄》 ..............................................................................145“建筑”与栖居 .........................................................................................148写诗，或者说建筑生活的乐园 ................................................................153“看见”，或曰超越事物本身的美 ............................................................157分叉的时间及其个人呈现 ........................................................................167第十一章 《菠菜》的日常生活政治........................................173“菠菜”的位置与指向 ..............................................................................173重构诗歌与现实的联系 ............................................................................178第十二章 《镜中》：从“传统”之镜中眺望自身.....................183张枣的“传统”观 ....................................................................................183《镜中》诗意空间的生成 ..........................................................................185“元诗”意识与“传统”之镜 ..................................................................191第十三章 “《全装修》”时代的“元诗”意识..........................195“对语言本体的沉浸”及其问题 ..............................................................195语言的解禁与幽闭 ....................................................................................198隐秘的对话 ...............................................................................................201“元诗”的现实与魔幻 ..............................................................................203后记.......................................................................................207